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Feminist Views on the English Stage: Women Playwrights, 1990-2000 (Cambridge Studies in Modern Theatre), by Elaine Aston
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Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
- Sales Rank: #2573608 in eBooks
- Published on: 2003-11-24
- Released on: 2003-11-24
- Format: Kindle eBook
Review
"...a welcome and necessary contribution to feminist theatre studies. Feminist Views on the English Stage allows Aston broader scope to offer her own observations on the larger shifts and developments in feminist discourses over roughly the last thirty years and to focus on the roles played by specific playwrights. It is precisely this perspective--the informed insights gained through years of teaching, researching, and seeing feminist plays--that makes the book so valuable." Modern Drama
About the Author
Elaine Aston is Professor of Contemporary Performance, Lancaster University, and is co-editor of the Cambridge Companion to Modern British Women Playwrights (0521 594227).
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